Ableton Live Course
Length:
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15 hours (1 week course)
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30 hours (2 weeks course)
SYLLABUS
INTERFACE, AUDIO & CLIPS
GENERAL INTERFACE
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Session and Arrangement Views
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Live Projects, Live Sets
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Live Library
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Live Browser
AUDIO CLIPS
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Audio Clips in Session View
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Importing/Launching Clips
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Setting Tempo and Global Quantize Value
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A Third Clip and Launching SCENES
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Renaming Scenes, Tracks, and Clips
CLIP VIEW
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Clip Gain (volume)
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Clip transposition
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Looping/non-looping clip
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Alternate loops
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Follow actions
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Clip Envelops
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Volume clip envelope, Draw Modes, Grid Values
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Pan Clip Envelope w/ Draw Mode is ON and Snap to Grid is Off
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Recording Automation Envelopes in Real time to session view clips
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Transpose Clip Envelope and Breakpoint Editing
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Unlinked Clip Envelopes, Looping and Non- Looping
WARPING, QUANTIZATION, GROOVES
WARP MODES
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Clip View Warping and Tempo Controls
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Warp Modes Overview
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Texture Mode
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Beats Mode
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Re-Pitch Mode
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Tones Mode
WARP MARKERS
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Warp markers defined
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Correcting timing with warp markers snapping to a grid
QUANTIZATION
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Applying quantization to an audio clip
GROOVES AND THE GROOVE POOL
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Extracting a groove to the groove pool
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Auditioning Grooves from Live’s Library/ Hot Swapping
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Groove Pool Parameters
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Committing Grooves to Clips
ARRANGEMENT VIEW
MAKING AN ARRANGEMENT WITH SESSION VIEW CLIPS
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Preparing to make an arrangement
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Arrangement view interface
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Using Session view and Arrangement view together
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Overdubbing from Session view to Arrangement view
EDITING IN ARRANGEMENT VIEW
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Adding locators to the arrangement
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Working with clips in arrangement view
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Making Edits in Arrangement view
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Global Timeline edits
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Automating the time signature
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Automating the tempo
AUDIO EFFECTS
TYPES OF AUDIO EFFECTS
TWO WAYS TO USE AUDIO EFFECTS
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Insert effect
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Send effect
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Master track effect
APPLYING AUDIO EFFECTS AS INSERTS ON AUDIO TRACKS
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EQ
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Applying an EQ Three to a track
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Applying an EQ Eight to a track
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EQ Eight filter modes
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Dynamic compression
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Using a compressor to smooth dynamic range on a track
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Applying a compressor audio effect to bass to add thickness
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Using other audio effects as inserts on tracks and auditioning presets
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Saving Presets
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Save as DEFAULT
APPLYING AUDIO EFFECTS AS A SEND EFFECT
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Applying a reverb send effect
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Applying a delay send effect
AUDIO EFFECT RACKS
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Audio effect rack presets
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Creating a basic multi-effects rack
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Serial and parallel processing with the chain list
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Audio effect rack macro dials
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Renaming dials and saving your rack creation
THIRD-PARTY EFFECTS
SETTING UP FOR RECORDING
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The IN/OUT section
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Audio from Input Types and Input channels
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Audio To Output types and Output channels
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Monitor
RECORDING IN SESSION VIEW
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Global quantize and audio recording in session view
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Helpful hints for recording in session view
RECORDING IN ARRANGEMENT VIEW
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Starting/stopping recording with punch-in/out points
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Helpful hints for recording in arrangement view
HELPFUL HINTS
MIDI, MIXING & AUTOMATION
MIDI
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Internal/external MIDI
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Setting up MIDI controllers (I/O and Key map/ Midi Map)
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Creating MIDI clips
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Impulse (mouse-entry)
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Editing velocity
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Recording in session view with Computer MIDI keyboard
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MIDI note quantization
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Record quantization
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MIDI Routing and Monitoring
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Recording MIDI clips in Arrangement view from a controller
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Overdubbing and editing MIDI performance gestures: modulation wheel
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Making MIDI clips from audio clips
INSTRUMENT RACKS
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Creating a layered instrument with instrument racks
DRUM RACKS
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Making a Basic Drum Track
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SLICE TO NEW MIDI Track
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Glitching up a slice to NEW MIDI Track Beat
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Playing drum racks with another track’s MIDI Clip
MIDI EFFECTS
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Adding random effect to make variation
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Adding an arpeggiator
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MIDI Effects racks and the chain selector
MIDI clips with Hardware synths (external midi)
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MIDI cables, ports, and channels
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MIDI signal routing
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MIDI device and channel routing in live
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Monitoring external devices
MIXING AND AUTOMATION (arrangement view)
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Recording basic automation gestures
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Track panning automation and automation control chooser
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Adding automation lanes
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Editing automation lanes with draw mode off
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Editing automation lanes with draw mode on
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Editing ranges of automation envelopes
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Clip fades
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Automating parameters using MIDI Controllers
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Overriding Automation and the Re-enable Automation button
MIXING TIPS
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Master Track Plug-Ins
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DITHER and Exporting Track